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A Picasso by Jeffrey Hatcher

In Production
Alexander Kulcsar, Ann Kinner

A Picasso by Jeffrey Hatcher – September 8 – 24, 2023

Paris, 1941. Pablo Picasso has been summoned from his favorite café by German occupation forces to a vault across the city for an interrogation by a cultural attaché from Berlin. And so begins a fascinating mystery about art, politics, sex and truth unfolds with a twist at its climax – a fascinating cat-and-mouse play that is part thriller, part mystery, part drama, with wit and humor that will leave you thinking about the production long after the final moments.

Performances take place September 8 – 24, Fridays and Saturdays at 8:00 pm and 2:00 pm on Sundays, with one Thursday performance on September 14 at 8:00 pm. Runtime is 75 minutes.““

“Polished… with carefully sprung surprises.” – The New York Times

“An exceptionally sharp piece of writing.” – New York Sun

“Skillful cat-and-mouse spiked with Hatcher’s trademark humor” – CurtainUp

Announcing the 2013 / 2014 Westport Community Theatre Season!

2013 / 2014 Season, Arcadia, Mrs. Bob Cratchit's Wild Christmas Binge, Souvenir, The Crucible, The Prisoner of Second Avenue, , , , , , , , , , , , , , , , , , , , , ,

WCT’s new 2013 / 2014 season opens September 20 – and it promises to be one of our best seasons yet. It’s truly the best entertainment value in Westport at $80 for a five-play subscription (single tickets are only $20, $18 for the Thursday performance and $2 discounts for senior citizens).

With much fanfare:

The Prisoner of Second Avenue at Westport Community Theatre

The Prisoner of Second Avenue by Neil Simon, directed by Lester Colodny


The Prisoner of Second Avenue by Neil Simon
Directed by Lester Colodny
September  20 – October 5, 2013

“Full of humor and intelligence. Fine fun.”- New York Post
“Creates an atmosphere of casual cataclysm, an everyday urban purgatory of copelessness from which laughter seems to be released like vapor from the city’s manholes.”- Time

Mel Edison is an executive who gets laid off from his high-end Manhattan firm. His wife Edna takes a job to tide them over, then she too is sacked. Air pollution is killing his plants, the walls of his apartment are paper-thin, he’s robbed, his psychiatrist dies… and when things can’t seem to get worse, Mel has a nervous breakdown – and it’s the best thing that ever happened to him. Starring Jeff Pliskin, Deborah Burke, Frederic Tisch, Ruth Anne Baumgartner, Jacquie Carlsen, and Maureen Cummings.

We are so pleased to have longtime WCT director Lester Colodny at the helm of this play near and dear to his heart – it is a subject matter he knows very, very well. Lester’s Westport Community Theatre credits span decades, including last year’s season opener “Laughter on the 23rd Floor” – but he is known nationwide as an Emmy-Award-winning writer, producer and director from the Golden Age of Hollywood. He was a co-creator of “The Munsters” and worked on television classics such as “Get Smart,” “My Favorite Martian” and “Beetle Bailey.” In the early 70s, he co-wrote a Broadway play, “Fun City” with Joan Rivers. Later, he went into work in advertising for famed casino chain owner Steve Wynn, winning several CLIOs for his work for the company. To finish out his career, he worked in the eighties for a well-known billionaire New York real estate tycoon. Lester spent his early career working with some of the biggest names in show business, including Frank Sinatra, Mel Brooks, Jerry Lewis, Peter Sellers, Florence Henderson, Cary Grant and many more. He was writer, producer and director of “The Baja Marimba Band” for which he won his Emmy. He was a writer on “The Today Show” with original host Dave Garroway, when the show was live and mistakes on the set were broadcast nationally. It was Lester who was ordered to get three barrels of monkeys to be opened live on television at the bequest of Garroway. The results were an instant classic and make up the first chapter of his autobiography, “A Funny Thing Happened,” released summer of 2010.


Mrs. Bob Cratchit's Wild Christmas Binge at Westport Community Theatre

"Mrs. Bob Cratchit's Wild Christmas Binge" by Christopher Durang, directed by Tom Rushen


Mrs. Bob Cratchit’s Wild Christmas Binge
by Christopher Durang
Directed by Tom Rushen
November 29 – December 15, 2013

If you think you just don’t want to sit through one more production of A Christmas Carol or The Nutcracker… mark your calendars for this comedic masterpiece that has become a holiday season staple of theatres across the country. In this sendup of A Christmas Carol, Gladys Cratchit is an angry, stressed-out woman who is sick of Tiny Time, hates her twenty other children, and wants to get drunk and jump off Lnodn Bridge. She meets up with the sassy Ghost of Christmas Past and Ebenezer Scrooge and the plot morphs into parodies of Oliver Twist, The Gift of the Magi and It’s a Wonderful Life. And to make matters worse, Scrooge and Mrs. Bob seem to be kindred souls falling in love. With a dénouement that is two parts Touched by an Angel and one part The Queen of Mean, Scrooge’s tale of redemption and gentle grace is placed squarely on its head.

“A rollicking parody… Splendid.” — Pittsburgh Post-Gazette
“Fiendishly funny…never disappoints. Wild it most certainly is, without apologies. Send-ups are often immersed in venom, but this one wears an ear-to-ear smile.” — Observer-Reporters

Director  Tom Rushen is well known to WCT audiences for past productions including Sabrina and The Importance of Being Earnest, staged readings – and the friendly face you saw in the Box Office during the 2012 / 2013 season. He has directed several plays for Eastbound Theatre in Milford including The Comet of St. Loomis, Lobby Hero, Brooklyn Boy and The Complete History of America (abridged), and is the producer of annual summer one-act play festival jointly produced with Westport Community Theatre.  Tom has also directed a number of short plays in the area for SquareWrights (Skeleton Boy, Unintelligent Design, Intervention) and Temple Players (Soldiers of the Lord, An Answer to Their Prayers) as well as productions at other area theatres.


"The Crucible" by Arthur Miller at Westport Community Theare

"The Crucible" by Arthur Miller, directed by Richard Mancini


The Crucible by Arthur Miller
Directed by Richard Mancini
February 7 – 23, 2014

A secret to no one, Arthur Miller’s classic tale of the witchcraft purge in old Salem is both a gripping historical play and a timely parable of contemporary society – the McCarthy hearings. This powerful combination makes The Crucible extremely timely in 2013 – even if you feel you know it well, it’s time to pay it another visit… The story focuses upon a farmer, his wife, and a young servant-girl who maliciously accuses the wife of witchcraft. The farmer brings the girl to court to admit the lie – and it is here that the monstrous course of biogtry and deceit has terrifying consequences. Featuring popular Fairfield County actors Mark Frattaroli and Lucy Babbit.

“Powerful drama…” — New York Times

Director Richard Mancini returns to the WCT stage where his numerous credits include last December’s hit “Old Time Radio Christmas” ETC staged reading, The Woman in Black, The Women, Orson’s Shadow and Broadway Bound among others. Both actor and director, Richard has directed numerous productions at theatres throughout Fairfield County.


"Souvenir" by Stephen Temperley at Westport Community Theatre

"Souvenir" by Stephen Temperley, directed by Ruth Anne Baumgartner


Souvenir  by Stephen Temperley
Director Ruth Anne Baumgartner
April 11 – 27, 2014

Wealthy eccentric Florence Foster Jenkins suffered under the delusion that she was a great coloratura soprano – when she was, in fact, incapable of producing two consecutive notes in tune. Nevertheless, she gave recitals in the ballroom of the Ritz Carlton hotel, and mobs of fans packed her recitals, stuffing handkerchiefs in their mouths to stifle their laughter. The climax of Florence Foster Jenkins’ career was a single concert at Carnegie Hall in 1944…. Actress Priscilla Squires (last seen at WCT in the memorable Master Class) returns to WCT as the irrepresible Jenkins.

“There aren’t many theatrical experiences as good as ‘Souvenir’” — Boston Globe
“…an unexpectedly gentle and affecting comedy.” – New York Times

Ruth Anne Baumgartner (Director) directed WCT productions of Mr Pim Passes By  in April of 2013, The Seafarer in December of 2011, and a staged reading of The Seafarer for WCT’s ETC program two years earlier; she directed the Connecticut première of Conor McPherson’s The Weir in 2001 with Town Players of Newtown. For WCT she has also directed productions of Ice Glen, The Glass Menagerie, Spinning Into Butter, and Measure for Measure, as well as several other staged readings. As a director she specializes in 16th-century, other classic, and contemporary drama. She has worked with Town Players of Newtown (most recently the critically acclaimed production of A Picasso, The Retreat from Moscow, The Turn of the Screw, She Stoops to Conquer, Murderers, and The Merry Wives of Windsor); Putney Players (A Perfect Ganesh, “The Fifteen-Minute Hamlet”); Eastbound Theatre (Brilliant Traces); the Rainbow Theatre in Stamford (Equity, The Duck Variations); and, with Rob Pawlikowski, Newtown High School (The Madwoman of Chaillot). She occasionally acts, and will be seen in WCT’s season opener The Prisoner of Second Avenue; prior to that, she appeared in WCT’s Angel Street. She has appeared locally with Town Players (Newtown) and Putney Players (Stratford), portraying three mothers (one a tuba player), two aunts, a Polish cook, a very high priestess, and a lusty widow, and in staged readings for Square One at the Stratford Library. Films include the studio release Of Arms and Altars, student film A Work of Art, and independent film Doing Agatha, in which she plays a middle-aged actress playing a British matron. She is currently serving on the WCT Board of Directors as Editor of The Prompter and President; she is also on the Board of Directors of Town Players of Newtown. A member of the English departments of Fairfield and Central Connecticut State universities, she is also editor of Vanguard (the quarterly newsletter of the Connecticut Conference, American Association of University Professors). For eighteen years she was artistic director of Bare Bones Theater at the Pequot Library, and continues to be active with the library’s annual book sale. Her undergraduate degree, in English literature, is from Dickinson; her graduate degree, also in English literature, from the University of Rochester. At Dickinson she performed and worked backstage with Mermaid Players, under the late David R. Brubaker and Marj Brubaker; she also had two seasons as a local jobber with the summer stock theater Allenberry Playhouse, on the Straw Hat circuit.


"Arcadia" by Tom Stoppard at Westport Community Theatre

"Arcadia" by Tom Stoppard, directed by Ruth Anne Baumgartner


Arcadia by Tom Stoppard
Directed by Mat Young
June 6 – 22, 2013

We close next season with Arcadia, one of the must-see plays produced in the 1990s – many feel it defines the era of playwrighting. Arcadia moves back and forth between 1809 and the present at the elegant estate owned by the Coverly family. In 1809, thirteen year-old Lady Thomasina and her tutor delve into intellectual and romantic issues. Present day scenes depict the Coverly descendants and scholars who are researching a possible scandal at the estate in 1809 involving Lord Byron. This brilliant play explores the nature of truth and time, the difference between classical and romantic temperaments, and the disruptive influence of sex on our lives.

“Pure entertainment for the heart, mind, soul… it is a work shot through with fun, passion and yes, genius.” — The New York Post
“‘Arcadia,’ the play generally regarded as Stoppard’s masterpiece… sparkles – time is magically, heartbreakingly suspended…” – National Post

Director Mat Young is the Artistic Director and founder of Dessert 1st Productions, as well as a director and actor. Mat is also the Host of The Process Podcast, which can be downloaded on iTunes under the same name. Most recently he gave a memorable performance as James Reston in WCT’s 2012 / 2013 season closer Frost / Nixon; he was also seen as Gaston in Piccaso at Lapin Agile (Eastbound Theatre). Last summer Mat appeared as Malvolio in Dessert 1st Production of Twelfth Night (co-produced by WCT as a special summer production). As a director, Mat is most proud of his work with Dr. Jekyll and Mr. Hyde by Jeffery Hatcher (Wilton Playshop), Hamlet (WHS), Romeo and Juliet (WSSP), Taming of the Shrew (WHS) Someone Who’ll Watch Over Me (Eastbound), A Midsummer Night’s Dream (WSSP), Picasso at Lapin Agile (BHS), Into the Woods (WHS), Guy and Dolls (WHS), Drood (WHS & WSSP), The Complete Works William Shakespeare (Abridged) (WCT). As a writer, Mat has penned Mary Potter and the Race to Nowhere, Musical the Musical, True Twilight Diaries and Suddenly There Came a Tapping. As an actor, some of his favorite roles include: Matt The Complete Works William Shakespeare (Abridged) (Dessert 1st), Aaronow in Glengarry Glen Ross (NHTC) Rosencrantz in Rosencrantz and Guildenstern are Dead (Pound Ridge), Sir Toby in Twelfth Night (GSC), Bottom in A Midsummer Nights Dream (NHTC), Matt Friedman in Talley’s Folly (RWU), Aldo in The Italian American Reconciliation (RWU), Jeff in Lobby Hero (Eastbound), Henry 6th in Henry VI Part Three (Marymount Theatre), and Swifty in Words Words Words (Wilton Playshop), where he met his wife. A graduate of The New Actor’s Workshop, he studied under the minds of George Morrison the schools founder, and former theatre department head at Suny Purchase, and film and theater director Mike Nichols. In addition, Mat studied Volia Spolin’s Improvisation for the Theatre with her son Paul Sills, co-founder of The Second City comedy troupe, and creator and original director of the Broadway show Storytheater. Mat had founded three different comedy improvisation troupes; Rhode Island’s Who is Winston Churchill?!, Manhattan’s Hypothetical Playground and Connecticut’s Space Pockets. He has also performed in the films Bullet in the Brain by David Von Acken and A Chubby Kid, which he wrote and was the first project of Dessert 1st Productions.

“Moonlight and Magnolias” – a little background

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"Moonlight and Magnolias"

Cast (missing Cindy Hartog), Director and Stage Manager – "Moonlight and Magnolias"

Just in case you missed the excellent article in “The Prompter” – a little background information for “Moonlight and Magnolias”:

From its inception, the film version of Margaret Mitchell’s epic Civil War novel, “Gone With The Wind,” was a monumental undertaking – the biggest, most expensive production Hollywood had ever seen. But filming had hardly begun in the winter of 1939 when producer David O. Selznick suddenly fired the director, George Cukor, and shut production down. It seemed that Selznick was appalled at the initial scenes Cukor had shot. Those closest to the production blamed not the director but the script he was working with, which had been largely crafted (and repeatedly recrafted) by Selznick himself. A hyper-driven, insufferable micro-manager, Selznick meddled in every aspect of production, from the details of the costumes to the art direction and especially the screenplay, firing numerous screenwriters who could not come up with an adapation to his satisfaction, and often rewriting their work himself. (One of the writers he fired was F. Scott Fitzgerald, whose fragile confidence was so damaged by working with Selznick that he afterward entered a downward spiral of drinking and depression.)

Selznick replaced Cukor with Victor Fleming, who was in the middle of directing “The Wizard of Oz”; it was Fleming who had the nerve to tell Selznick that his script was no good (nobody had ever said that to the Boss before), which so surprised and rattled the producer that he called in his old friend Ben Hecht to do an emergency rewrite. Known sardonically as the “Shakespeare of Hollywood,” ex-newspaperman / prolific screenwriter Hecht (“The Front Page”) was working on a Marx Brothers film when he was suddenly called away: At dawn on Sunday, February 20, 1939, David Selznick and director Victor Fleming woke up Hecht to inform him he was on loan from MGM and they spirited him away to the studio to work on Gone with the Wind. It was costing Selznick $50,000 each day the film was on hold waiting for a final screenplay rewrite, and there was no time to waste. The episode that ensued behind closed doors is the basis for Ron Hutchinson’s uproarious comedy “Moonlight and Magnolias,” which opens WCT’s new season in September.

An engaging anecdotal account is described in an article in Atlantic Monthly, “The Making of Gone With The Wind,” by Gavin Lambert (March 1973)*, and by the writer himself in “Ben Hecht: A Biography,” quoted here: “[Hecht] said he hadn’t read the novel but Selznick and director Fleming could not wait for him to read it. They would act out scenes based on Sidney Howard’s original script which needed to be rewritten in a hurry. Hecht wrote, ‘After each scene had been performed and discussed, I sat down at the typewriter and wrote it out. Selznick and Fleming, eager to continue with their acting, kept hurrying me. We worked in this fashion for seven days, putting in eighteen to twenty hours a day. Selznick refused to let us eat lunch, arguing that food would slow us up. He provided bananas and salted peanuts….’” For Irish playwright Hutchinson (who is himself a successful Hollywood screenwriter) the comic potential in such an arrangement was too much to pass up, as he said in an interview (Ron Hutchinson, A Celebration by David G. Anderson): “…it struck me, wow—this is classical farce. Can you imagine? All the elements are there. Three high-powered individuals lock themselves in a room existing on peanuts and bananas, and they are ever mindful that the clock is ticking, in a total pressure cooker situation.”

Selznick’s obsession with minute production details also resonated with Hutchinson’s experience: “The people in the industry are way too worried about the costuming, scenery, casting, and staging. They will have all this in place and then realize, hey—we have to do something with the script. This mess is total garbage. Unfortunately, the script has become a complete after-thought, and there are millions of dollars at stake.” Nevertheless, “Moonlight and Magnolias,” he admits, “was really more of a celebration to correct the image of film’s golden age writers, directors, and producers than an indictment of Hollywood…. Selznick had everything on the line: his fortune, reputation, and his marriage.” At the end of that week in 1939, Hecht emerged from the pressure cooker, took his hefty writing fee, gathered what strength he had and ran for a train to take him home to Chicago. He refused to take credit for the massive fourhour screenplay; credit eventually went to Sidney Howard, along with an Academy Award. The episode seemed to be something he wanted to forget. But what happened in Selznick’s office is, in Hutchinson’s imagination, an hilarious, thought-provoking Hollywood tale of men fighting themselves (and each other) not just for survival but for a chance at immortality. As the playwright says: “Is there an abundance of crazy, driven, slightly off kilter people out here? Yes, and they all want to leave their indelible imprint on the precious celluloid.”

“Moonlight and Magnolias” opens Westport Community Theatre’s new season TONIGHT!

2011 / 2012 Season, Moonlight And Magnolias, On Stage

“Moonlight and Magnolias”
by Ron Hutchinson
directed by Jessica Denes

Opens Friday, September 16 at 8:00 PM

Westport Community Theatre opens the 2011 / 2012 season with a madcap comedy, “Moonlight and Magnolias” by Ron Hutchinson, directed by Jessica Denes. It’s 1939 Hollywood, and legendary movie producer David O. Selznick has shut down production of the biggest and most expensive movie of his career, “Gone With the Wind.” In desperation, he brings playwright Ben Hecht and director Victor Fleming in to save the script… Think locked room… script rewrite… haven’t read the book… Scarlett… Rhett… bananas… and the result is a fast-paced, slapstick farce that keeps audiences laughing – and guessing – until the end.

Starring four of the finest actors in Fairfield County – John Bachelder as director Victor Fleming, Bob Fillipowich as producer David O. Selznick, Cindy Hartog as the erstwhile secretary Miss Poppenghul, and Rick Waln as writer Ben Hecht – the play runs September 16-October 2, Fridays and Saturdays at 8:00 pm, Sundays at 2:00 pm, and Thursday, September 22 at 8:00 pm. Westport Community Theatre at Westport Town Hall, 110 Myrtle Avenue, Westport. Tickets are $18 – $20; for reservations and information go to (203) 226-1983 or go to www.westportcommunitytheatre.com  for directions. Seniors discount of $2, groups of 10 or more enjoy a $2 per ticket discount, and there is a special “Student Rush” discount 15 minutes prior to performances for students of all ages with a valid student identification card.

(left to right) Bob Filipowich (Fairfield) as producer David O. Selznick, Rick Waln (Bedford Corners) as playwright Ben Hecht and John Bachelder (Woodbridge) as director Victor Fleming in Westport Community Theatre’s production of “Moonlight and Magnolias“ – September 16 – October 2, 2011.

Meet the Cast, Director and Stage Manager of “Moonlight and Magnolias”

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"Moonlight and Magnolias" at Westport Community Theatre, September 16 – October 2

Cast, director and stage manager of "Moonlight and Magnolias"

A little more about our wonderful cast, director and stage manager of “Moonlight and Magnolias”:

John Bachelder – “Victor Fleming”
John is very happy to be back at WCT with this great cast and crew. Other Westport productions include:  Joe Cantwell in “The Best Man,” Col. Jessup in “A Few Good Men” and Sherlock Holmes in “Sherlock’s Last Case.” Other theater roles include: Mr. Lockhart in “The Seafarer,”  Teach in “American Buffalo.” Jake in “Jake’s Women”  and Allen in “Play it again Sam.”  John can also be seen in the movies, in “Greenmail” with Stephen Baldwin and Tom Skerritt, and “Benefit of the Doubt” with Donald Sutherland and Amy Irving. His favorite productions remain his two sons, Philip and Mickey, co-produced with his wife, Marilyn.

Bob Filipowich – “David O. Selznik”
Bob has a very vague memory of watching the burning of Atlanta while dressed in his pajamas, in the back of his parents Country Squire at a drive-in movie theater on Cape Cod many summers ago. Who knew he’d be reenacting scenes from this epic movie years later on the WCT stage? He is happy to be working on this production with such a wonderfully talented ensemble cast and awesome crew. Bob has appeared most recently on the WCT stage as John Stapleton in “The Hound of the Baskerville’s” Other recent credits include, Floyd Spinner in “Love, Sex and the IRS”, Bobby Carlye in “Postmortem” and Buddy in “Follies” all at The Powerhouse Theater in New Canaan. Other favorite roles he has performed in locally are, The Leading Player in “Pippin” and Vittorio Vidal in “Sweet Charity” at The Wilton Playshop and Harold Hill in “The Music Man” at Stamford’s Curtain Call Theater.

Cindy Hartog – “Miss Poppenghul”
Cindy Hartog is thrilled to be back on the stage at WCT, where she is a long-standing board member. She was last seen in WCT’s “Rumors,”  “Lend Me A Tenor,” and “Spider’s Web,” Eastbound’s “Brooklyn Boy,” and The Wilton Playshop’s “The Nerd.”  To WCT audiences, Cindy might be most famous for catering all the goodies for the opening night parties! Cindy is a graduate of The Institute of Culinary Education in NYC and classically trained in acting at The Royal Academy of Dramatic Arts in London, The Williamstown Theatre Festival, and NYC’s Neighborhood Playhouse. In addition, she has a Masters in Educational Theatre from New York University. Merging her roles as real life chef, actor, and teacher,  Cindy is the owner of Cindy’s Sous Chefs, a company which teaches both children and adults the art of cooking, always sprinkled with a bit of the dramatic!  Cindy truly feels lucky to finally work with such a gifted and artistic director as Jessica Denes, a trio of such polished, professional, and talented actors, and a capable and caring pair of Producer and Stage Manager!

Rick Waln – “Ben Hecht”
Rick Waln finds himself once again lured into the pursuit of thespian glory. It was nine years ago that he appeared after an eighteen-year hiatus right here at WCT in “A Funny Thing Happened on the Way to the Forum.” Be forewarned: at this rate he may be coming your way again in 2015. Global stardom has thus far eluded him, but the older of those among you may recognize his face from any of the two hundred commercials he has made both in Los Angeles and New York. Truly dedicated fans can find him in reruns of “M*A*S*H,” “Barney Miller ” and “Married: With Children.” Whoever said, “You can’t go home again” didn’t check with Rick. He’s back and having a grand time thanks to all involved with “Moonlight and Magnolias.” One can only hope that it’s as much fun to watch the show as it was to prepare it.

Jessica Denes – Director
Jessica is thrilled to be once again working on the Westport stage!  For WCT she directed last season’s production of “Mixed Couples,” one of WCT’s most acclaimed productions,“Master Class,” and “Veronica’s Room.” Last spring she brought the gripping and provocative “Orange Flower Water” to the ETC stage. She has also directed for Eastbound Theatre, Crystal Theatre Company, and several other area stages. She is a member of the WCT Administrative Board. Jessica Denes has appeared for WCT in “Orson’s Shadow” and “A Murder Is Announced” (among others); she has also performed with Town Players of New Canaan, Eastbound Theatre, Wilton Playshop, and Crystal Theatre Company.

Robyn Mortiboys – Production Stage Manager
This is Robyn’s first production at WCT. She has recently been PSM for “Blithe Spirit,” directed by Scott Brill, and the staged reading of “A Woman Called God,” written by David Canary and directed by Maureen Maloney, both at the Wilton Playshop. After “Moonlight and Magnolias,” Robyn will be production stage manager for “Mrs. Warren’s Profession,” directed by Larry Schneider at the Ridgefield Theatre Barn this November.